This source is a DTS 5.1 mix and is not streamable
Cold Rain And Snow % Cassidy
Deal % Mama Tried % Row Jimmy % Big River % Brown Eyed Women % Looks Like Rain % Peggy-O
The Music Never Stopped ->
Scarlet Begonias
Set 2
Playing In The Band ->
Stronger Than Dirt Or Milkin' The Turkey ->
Cosmic Charlie
Samson And Delilah
Spanish Jam ->
Drums ->
The Wheel ->
Space Jam ->
Playing In The Band Reprise ->
Around And Around % High Time % Sugar Magnolia
Encore
U.S. Blues
Related Music (Beta) question-dark
| Song Title | Versions | Compilations | Covers |
|---|---|---|---|
| Tuning |
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| Playing In The Band > |
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| Stronger Than Dirt > |
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| Cosmic Charlie |
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| Samson & Delilah |
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| Space > |
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| Spanish Jam > |
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| Drums > |
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| The Wheel > |
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| Playing Reprise > |
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| Around & Around |
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| High Time |
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| Happy B-day Bill Graham |
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| Sugar Magnolia |
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Notes
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Source Info
SBD
SBD: Master Reel -> Master Dat (44.1k)
AUD
FOBalcony: MAC > DAT > CD
Recorded by Bob Menke using Sony ECM-280 mics >
Sony TC-152 from front of balcony
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Tech Notes
SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave. Cool Edit Pro 2.0 was used
to align & synch both of the sources. CEP2.0 used to adjust
the volume for the AUD source, center and LFE channels.
Surcode CD Pro DTS was used to encode to DTS.
- Mixed by dan@am-dig.com
- SHN conversion 13-OCT-2004
- Remix FLAC conversion 19-JAN-2005
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear single jewel case.
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DTS-Audio-CD Info
Front
Left Channel SBD: Master Reel -> Master Dat
Right Channel SBD: Master Reel -> Master Dat
Center
Mono Mix -5db SBD: Master Reel -> Master Dat
Surround
Left Channel -3db FOB: ECM-280 mics > TC-152
Right Channel -3db FOB: ECM-280 mics > TC-152
Sub/LFE
Mono Mix -4db SBD: Master Reel -> Master Dat
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Notes
This is all that circulates in the SBD source.
The AUD source was lightly EQ'ed. A slight high end cut.
The AUD source was a bit overwhelming in the 5.1 mix. While
I usually leave the levels alone, this time I mixed the AUD
into the rear channels at -3db. In my experience louder
rear channels is an undiserable effect.
AUD Patch Samson approx 4:35 to fill missing part of the SBD
29:58.490 to 31:31.560 total of 01:33.070. This is somewhat
detectable but hardly. Which is really a statement to just
how great the AUD source is.
SBD Patch Drums approx 02:37 to fill missing part of the AUD
44:07.731 to 44:15.904 total of 0:08.172. This is smooth and
most likely undetectable.
Missing 22.027 crowd on AUD source between Around & Around
and High Time. SBD trimmed accordingly to match with a 3
second crossfade. Smooth and most likely undetectable.
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More On DTS
Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and put a 5.1 surround recording on a regular
Audio-CD. To play a DTS-Audio-CD you must connect your
DVD/CD player via a digital cable (optical or coaxial) to
your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and raise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analog audio outputs
of your CD/DVD player.
Burning Instructions
Burn them the absolute same way you would burn any normal
Audio-CD from .shn files.
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